Studio Work ABOUT my art & others

  W O R K S H O P   1  Sunday 14 September 10-4pm small groups preferred  held in the artist's studio, Turners Beach Tasmania  In the workshop you create two books - an A4 size accordion sketchbook with pockets & hard covers - bonus paper weaving embellishment PLUS  a scrap landscape sketchbook with lightweight hard covers BOOKBOARD ACCORDION FOLD SKETCHBOOK   This A4 sketchbook containing 62 pages is created using bookboard for the pages in accordion/concertina format that creates valleys to take 6 signatures and    we create 3 pockets as part of the structure, PLUS, from the scrap cuttings you create a paper weaving element on the cover.       video of the book here      second book - SCRAP LANDSCAPE SKETCHBOOK This highly practical size sketchbook is created from the cut off's from creating book one (above).    This book contains 22 pages in a long landscape format and is covered using ...

i have said this before.  In trying to simplify it gets a little complicated  In creating a 'website' I have, in 2025, transitioned back to blogger as i am finding various website providers far too expensive and promises made remain unfulfilled as well as charging extra for basic pre-requisites.  Blackfisharts Art Gallery hosts any works for sale, finished works and exhibitions I have been in.  All in the process of being created and/or updated.   Studio work about My Art & Others is just as the title says. Regent Park Tasmania is about lifestyle - of an artist and those she lives with, its about discovering #countryliving since moving to this place 3 years ago and exploration of a sense of place and our place within it. I work across media, including painting (oils, watermedia, pastel), book making, collage, assemblage, slow stitching, photography and writing. Emerald13 is my pseudo for poetry - having written short form for many many years with ov...

This print came out of a residency and ultimately an exhibition at Cradle Mountain. Titled:  MAPPING TIME (the road to Cradle) click the image for details .  I was fortunate enough to be accepted for 2 residencies at  Cradle Mountain  which was such a wonderful experience.  Each residency was 4 and 6 weeks duration during 2017 and 2019 culminating in an exhibition in 2020 at the Cradle Mountain Hotel Gallery.  Blog articles on the residencies and solo exhibition, culminating from the gum trees on the road to Cradle. This is a limited edition of 13 prints -  details &  purchase here

On many drives up to, and during 2 residencies at Cradle Mountain   it was the gum tree that became my focus and ultimately a solo exhibition.... I love these shapes and noticed the impermanence of some of the trees as i travelled the road back and forth from Devonport, over an 18 month period. see some of the exhibition artworks here. explore limited edition prints here

 its been a winter of making books books books - a few are works in progress and some are working through workshop ideas .... workshop coming up soon

 by Theo Jansen a brand new 18-meter-long  Strandbeest  scuttles across the sands of a beach in The Netherlands in this video by Dutch Artist Theo Jansen, who has been releasing his otherworldly creatures each year since 1990 Throughout the summer, Jansen experimented with connecting several units together, which could work in succession.   Animaris Rex  s a herd of beach animals whose specimens hold each other as defense against storms,” he says. “As individuals, they would simply blow over, but as a group, the chance of surviving a storm would be greater.” Propelled by the wind with a series of large sails, the individual modules move in tandem to form a single entity. taken  from 'thiscollossal'  - a fabulous art 'magazine' that comes to my email regularly.  Colossal is worth a traipse around - be prepared to go down many a rabbit hole. ..... Gina

This print has come from the #pocketfinds i had been conducting over last summer.  Collecting plants, shells, stones, etc and rearranging them to photograph became an ongoing project.  (so many ongoing projects including writing haiku, collage and research each day/week). I wrote about the #pocketfinds project  here  and i put up a short video of some of the pieces here including this book. I have decided to float this one out as a limited print -  details here. I would love to hear what you think.

I ordered book board - archival acid free - but got the thickness wrong (no surprise there).  It was so thin i could not use it for book covers at all ... so i went into my default 'what if' ... and a book idea percolated to the surface of my brain.   here it is in progress. working on another 'what if' book idea - for a workshop - going to finish the idea first and then send out information on a workshop to make the book (contact me if you are interested in getting update email regarding the workshop and details)

  Asemic work represents the need to be immersed in the intuitive awareness of things. I have been making asemic works long before it became 'fashionable'. I started out in the 90's as a calligrapher studying by snail mail for 2 years via the Digby Stuart College in London.  I soon realised, having mastered the various styles (italic, Roman, Celtic, Copperplate, etc) that the freeform mark making excited me most.  I was inspired by Mark Tobey, Cy Twombly, Jasper Johns and Willem de Koonig. There is a meditational element to asemic, working with silence and illegibility to express what cannot be described.  Mark making, abstraction, non objective taking one to the depths of being, of consciousness beyond the literal. I began writing about my forays into asemic here . and a little asemic book is talked through on our you tube channel .

 i am getting ready to do more chemigrams as soon as the rain (and winter) clears. Spring maybe, summer definitely.   So what is a chemigram? Here is a technical rundown - in short:  A chemigram is a camera-less photographic image.  You apply darkroom chemicals directly onto photo paper resulting in a unique, abstract image.  This technique is a mix of photography, drawing, printmaking.  Artistic experimentation, i think, is key. Mark making experiments yield a diversity of possibilities. This is undertaken by applying resists, allowing light to affect the paper (exposure), and placing the paper into developer and fixer solutions.  The image relies on direct interaction with the darkroom chemicals on the photographic paper. Outcomes are affected by the different resists, chemical interactions and exposure times resulting in unique and often abstract images.  have a look at the book of experiments i created whilst exploring chemigram technqiu...

Two prompts crop up in my practice, every day.  PLAY and WHAT IF?  As part of a series i am currently thinking through i focussed on a a vintage vase  - this one.          >>>> It started with a simple drawing  then explored on a gel plate. It went off in other directions .... 'play' Going back to the geli plate I went to 'what if' AND play. Looking again at 'what if' and the next one. LET ME KNOW WHAT YOU THINK .... any questions ?  thanks for being here. (gina)

Playing with the fern book idea and mono prints.  I have created many mono prints, using the geli plate and ferns from the creek - looking to create a book from the   prints.    Here are a few succesful prints. When considering the 'fern book' proper (title yet to be determined) problems to solve include: Format - the proposed final book is much bigger than the prototype and a different format (landscape while the prototype is nearly square). Printing - the pages completed so far for the fern book proper are multiple printed mono prints which make the pages really busy so additional pages of blank papers need to be inserted which can be collaged, drawn upon, sliced prints etc.  Title - need to think on one  Lettering and words - brainstorming 'fern' and 'conversations by the creek' where the ferns grow - seeking words and letters that may be used in the book - stamping or handwritten, stencils etc Covers - this will come as i continue down this path. this i...

  I had  the idea  to post my mum's recipes here on the blog - a record that is not lost of recipes i  wrote down in my 20s when i learned to cook each dish. A record to pass on to friends and family.  My sister and i took turns, under mum's guidance, to learn and cook each weekend. Dad always said 'not enough salt'.      You can  find them ALL here  - a list of individual dishes linked to the full recipe for each.  A single place to find them all .  The list will be regularly updated - keep an eye out and do let me know if you try any and what you think. and always, when cooking, there is a bag of goodies for #snowcone.

so many projects on the go (always) - a few here, some still in progress, others merely an idle thought.  my work is research and process based so there is much experimentation and intuitive 'doing'.  images here of asemic writings, paintings in progress, books completed and in progress, slow stitching and chemigrams. find our youtube channel with various playlists including art and artist books  let me know what you think.

 Well that took me back - updating my sites I came across the one i created 18 years ago.  The site is called FOUNDart series. The idea and thoughts as it evolved into different travel experiences. and it goes like this.  the first post titled 'the idea - 2007 Foundart Switzerland'  and says : i am travelling to Switzerland in August to spend a month with my daughter and her partner who live there and my initial idea of 'doing' art clicked finally this weekend ... i had been thinking for a while i would like to make a 'found art' series where i take small bits of art that look like finished pieces - small as in business card size - and have my website details on the back that tells the story of the 'found art' series and then to leave one at places along the way on my trip to switzerland and other places - so create and take 30 pieces and 'lose' one a day telling the story on the website. Perhaps even contact from the founder telling me of thei...