Studio Work ABOUT my art & others

  Asemic work represents the need to be immersed in the intuitive awareness of things. I have been making asemic works long before it became 'fashionable'. I started out in the 90's as a calligrapher studying by snail mail for 2 years via the Digby Stuart College in London.  I soon realised, having mastered the various styles (italic, Roman, Celtic, Copperplate, etc) that the freeform mark making excited me most.  I was inspired by Mark Tobey, Cy Twombly, Jasper Johns and Willem de Koonig. There is a meditational element to asemic, working with silence and illegibility to express what cannot be described.  Mark making, abstraction, non objective taking one to the depths of being, of consciousness beyond the literal. I began writing about my forays into asemic here . and a little asemic book is talked through on our you tube channel .

 i am getting ready to do more chemigrams as soon as the rain (and winter) clears. Spring maybe, summer definitely.   So what is a chemigram? Here is a technical rundown - in short:  A chemigram is a camera-less photographic image.  You apply darkroom chemicals directly onto photo paper resulting in a unique, abstract image.  This technique is a mix of photography, drawing, printmaking.  Artistic experimentation, i think, is key. Mark making experiments yield a diversity of possibilities. This is undertaken by applying resists, allowing light to affect the paper (exposure), and placing the paper into developer and fixer solutions.  The image relies on direct interaction with the darkroom chemicals on the photographic paper. Outcomes are affected by the different resists, chemical interactions and exposure times resulting in unique and often abstract images.  have a look at the book of experiments i created whilst exploring chemigram technqiu...

Two prompts crop up in my practice, every day.  PLAY and WHAT IF?  As part of a series i am currently thinking through i focussed on a a vintage vase  - this one.          >>>> It started with a simple drawing  then explored on a gel plate. It went off in other directions .... 'play' Going back to the geli plate I went to 'what if' AND play. Looking again at 'what if' and the next one. LET ME KNOW WHAT YOU THINK .... any questions ?  thanks for being here. (gina)

The Bridge Gallery in Burnie is a temporary space for the Art Gallery while construction of the Arts Centre is underway.  We travelled to Burnie to pick up the  Oistre book  which was a finalist in the Burnie Print Prize 2025 , and encountered a splendid, awe-inspiring exhibition. There are 21, i think, artist books where each artist responds to each Afghan womans experience of living in Afghanistan since the Taliban takeover in 2021. i have posted a few images i took on our visit (below).  The images are not 'professional' but give me a sense of the presentation and ideas that i enjoyed immensely. I love how each book presents as 'the same' however upon opening, each book has artwork entirely unique to the story of each Afghan woman.  The creativity and diversity of artwork and story kept me in the gallery, going from book to book, for nearly an hour.  Just marvellous.  Techniques included typesetting, drawing, painting, photography, printmaking...

Playing with the fern book idea and mono prints.  I have created many mono prints, using the geli plate and ferns from the creek - looking to create a book from the   prints.    Here are a few succesful prints. When considering the 'fern book' proper (title yet to be determined) problems to solve include: Format - the proposed final book is much bigger than the prototype and a different format (landscape while the prototype is nearly square). Printing - the pages completed so far for the fern book proper are multiple printed mono prints which make the pages really busy so additional pages of blank papers need to be inserted which can be collaged, drawn upon, sliced prints etc.  Title - need to think on one  Lettering and words - brainstorming 'fern' and 'conversations by the creek' where the ferns grow - seeking words and letters that may be used in the book - stamping or handwritten, stencils etc Covers - this will come as i continue down this path. this i...

so many projects on the go (always) - a few here, some still in progress, others merely an idle thought.  my work is research and process based so there is much experimentation and intuitive 'doing'.  images here of asemic writings, paintings in progress, books completed and in progress, slow stitching and chemigrams. find our youtube channel with various playlists including art and artist books  let me know what you think.

 Well that took me back - updating my sites I came across the one i created 18 years ago.  The site is called FOUNDart series. The idea and thoughts as it evolved into different travel experiences. and it goes like this.  the first post titled 'the idea - 2007 Foundart Switzerland'  and says : i am travelling to Switzerland in August to spend a month with my daughter and her partner who live there and my initial idea of 'doing' art clicked finally this weekend ... i had been thinking for a while i would like to make a 'found art' series where i take small bits of art that look like finished pieces - small as in business card size - and have my website details on the back that tells the story of the 'found art' series and then to leave one at places along the way on my trip to switzerland and other places - so create and take 30 pieces and 'lose' one a day telling the story on the website. Perhaps even contact from the founder telling me of thei...

  I started this piece a year ago, picking it up now and again.  The small squares were created first  The small squares are of eco dyed silk, indigo on cotton, indigo on blockout curtain materials and a very old hardanger which was an embroidery I began in my teens.  That is a long time to hold onto cloth. My mother and father used to visit their friends and play cards while my sister and i would read or listen to the radio.  More often than not I would take some embroidery to do. Now it is  woven into a whole of newer memories. It sat like this, in this format a very long time because, as happens more often than not, I didnt know what to do next. On one of the many creek walks i take from the studio to the bridge in our front yard the idea came to me as i was musing on the sun reflecting on the water.  And so the stitching began - my way of working is mostly intuitive and in this case, apart from drawing the circle on the back,  The stitches are...

                                                 I am so pleased to hear i am a finalist in this prestigious prize which will be exhibited in March 2025.  Once the exhibition is up I can post my work here. updated  April 2025. Images and artist statement of the book OISTRE posted here  

Early Summer i went on a #getaway to Boat Harbour - spent 3 days there soaking up the sun, isolation and beach.  A nice visit from V and lunch at the restaurant was a highlight.  I treat all my #getaways as a 'residency' and go on long walks, photography and do drawings, writing and reading. the drawings en plein air shown in the earlier blog post led to these two little books. fine art photography of my time at Boat Harbour can be found  here a short video of a beach walk at Boat Harbour #Tasmania