Studio Work ABOUT my art & others

When i began this piece I didnt know what the story was. It evolved overtime and with each decision made, it became. As many of you know I am in the studio every day and it is at night, when I go up to the house, I do slow stitching.  This piece was set aside many times over many months, where each stage brought with it a 'what now?' or a 'what if'. Slowly it became 'Under a Big Sky'.   This is how it went.  I began by creating little squares from my shibori scraps, brought in white and eco printed cotton, silk and linen, ironing the little squares around a template i created. One evening, from the box of 'little squares', i began to lay them out in what was a pleasing arrangment to me.  Sewed the squares together into a single cloth and then i tacked it to a calico cloth backing, extending the borders. After it being set aside for many months, i came to the orange stitching idea - a stacking stitch created within a circle. This image shows the stitched ...

these little pieces on Japanese papers are trials/play in the studio this week - enjoying switching to oils after months of monoprints using acrylic on the gel plate.  see previous posts here and the 'what if' premise, here   

On a recent trip to Hobart and i ducked into TMAG (Tasmanian Museum and Art Gallery) to find an exhibition of Oliffe Richmond (1919-77) - a Tasmanian born artist who built a distinguished career in Britain as a sculptor and educator. I particularly loved the sketchbook drawings. and i loved this vehicle in the pottery & ceramics room

I wrote  here  about delivering 4 works to the Out of Hand Exhibition held by Stitching and Beyond.    This year, I have exhibited, for the first time, in the exhibition held by Stitching and Beyond, Hobart.  I have been a member of the group for a few years and have been stitching for many many years; decided for the first time to exhibit.  With over 200 entries in the exhibition I am honoured to have received the Curators Choice Award for this piece 'Conversations by the Creek (Winter) the other 3 pieces are Conversations by the Creek (Summer) and Conversations by the Creek (Early Spring) and Under a Big Sky .

UPDATE:  an article in Art Guide Australia 2 October 2025. It wraps up with this thought " “Wright’s works are not easily reduced; they draw you in with beauty, then unsettle and provoke with layered meanings.” Shapeshifting: The Art of Helen Wright Queen Victoria Museum and Gallery: Art Gallery  at Royal Park Until 1 February 2026 This article was originally published in the September/October 2025 print edition of Art Guide Australia." Helen Wright - I  have loved this artist's work for years. And how fortunate we are to have an exhibition of her works showing in Launceston at the QVMAG Royal Park .  Do yourself a favour ! a few of my favourites here that are representative of the diversity.   and i love the titles she comes up